Howdy, Playwrights! Here’s a list of 35 play submission opportunities with August+ 2022 deadlines. This is just a small sample of what is in our mega-list available to paid members. Join now to get access!
|Name||Length||Nature of Opportunity||Deadline||Location||Add’l Info|
|Stone Canoe||max 8,000 words||Publication opp. Open to current or former residents of Upstate New York. Drama accepted.||7/29/22||Syracuse, New York||n/a|
|Fresh Words||One Act
(max 3 pages)
|Tragedy or comedy or tragi-comedy.||7/31/22||n/a||n/a|
|Kumu Kahua Theatre / Bamboo Ridge Press||See right.||5-page monologues or 10-page scenes based on this prompt: A conflict between supporters of different gubernatorial candidates.||7/31/22||Honolulu, Hawaii||Prize: $100|
|Stonecoast Review||max 12 pages||Publication opp. Accepts dramatic works.||No deadline posted.||Portland, Maine||n/a|
|TEDxAsburyPark||max 18 mins||Original works. Theme: Collaboration, Determination, Democracy, Diversity, and/or “All Together Now”||No deadline posted.||online||n/a|
|Keegan Theatre||10 pages||Workshop process that will culminate in public staged readings. All submissions must be 10 page excerpts from full-length plays aligned with the theatre’s mission and commitment to equity, diversity, and inclusion.||8/1/22||Washington, DC||n/a|
|Nancy Dean Lesbian Playwriting Award||Full Length||Award for lesbian, queer or gay and nonbinary writer who has written at least one play, and is writing plays about lesbians. Self-nomination is allowed.||8/1/22||n/s||Prize: $5,000|
|The Players Theatre Short Play & Musical Festival||max 15 mins||Theme: “Boo!” Horror plays and musicals including a great spoof. Playwrights must produce.||8/1/22||NYC||Fee: $50|
|Trans [Plays] of Remembrance Festival||10 mins||Plays by members of the transgender community. Should be able to be performed digitally over Zoom. Theme: Transgender Day of Remembrance||8/1/22||Athens, Ohio||$30 royalty|
|Young Actor’s Studio||50-120 pages||Plays that prominently feature roles for younger people (between the ages of 12-18).||8/1/22||Virtual||$500 honorarium|
|Polyphone Festival of New Musicals||Full Length||Original musicals that are in development. Should have a completed first draft and must have been read at least once in a reading, workshop or concert setting.||8/5/22||Philadelphia, Pennsylvania||n/a|
|The David A. Einhorn Memorial Playwriting Prize||15-45 mins||Looking for work that resonates with the mission of the theater company, tackling ideas (political, scientific, and philosophical).||8/5/22||NYC||Prize: $3,000|
|SPELLBINDER||max 5 pages||Publication opp. Drama accepted. Monologues ok. Open to all genres, styles and themes. Int’l submissions ok.||8/14/22||n/a||£3 honorarium|
|Café Royal Cultural Foundation NYC||See right.||Performance grant. Must be a current resident of NYC. *If the performance is a play, it must be a full production.||8/15/22||NYC||Up to $10,000|
|Qu Literary Magazine||max 4,000 words||Publication opp. Excerpts or full pieces written for stage. Unpublished works only.||8/15/22||Charlotte, North Carolina||Fee: $2.50
Payment Upon Publication: $100
|Small Fish Radio Theatre||10-12 mins||Horror radio plays. Theme: “LOCKED IN!” See website for the complete guidelines.||8/15/22||n/a||n/a|
|The Braid||One Act
(max 8 mins)
|Contemporary American stories that have some Jewish content or Jewish resonance. Playwrights need not be Jewish to submit. One-person shows ok. Musicals ok. Theme: Remembrance of Things Present||8/15/22||Santa Monica, California||n/a|
Do You Want to Quickly & Easily Submit Your Play to
hundreds of Contests & Theaters?
What you see on this blog is just a small sample of what’s available in the member’s area.
You will save hours of research time and increase your odds of getting a production.
We update these opportunities every month, so you’ll never waste time sending your play to an uninterested theater.
Plus, you’ll get regular emails with brand-new opportunities!
|Theatre Oxford||max 10 pages||Only original plays, never before produced, are eligible.||8/15/22||Oxford, Mississippi||Fee: $12
|Theatre Viscera||30+ mins
|Plays written by queer playwrights, about queer characters, for queer performers. Full length plays, one acts, or collections of 10 mins.||8/15/22||Portland, Oregon||n/a|
|Yale Drama Series||Full Length||Int’l submissions ok. Must be original, unpublished.||8/15/22||New Haven, Connecticut||No Fee
|KNOW Theatre||15-20 mins||The play must be inspired by one of the works of art… (see website for the images)||8/28/22||Binghamton, New York||Prize: $300|
|Waxing & Waning||max 25 pages||Publication opp. Accepts play submissions.||8/28/22||n/a||Fee: $7|
|American Blues Theater||Full Length||Original, unpublished plays. Int’l submissions ok. Adaptations ok.||8/31/22||Chicago||Fee: $5
|Constellation Stage & Screen||Full Length||Plays must be unpublished at the time of submission (independently published is acceptable).||8/31/22||Bloomington, Indiana||Prize: $3,000|
|Henley Rose Playwright Competition for Women||Full Length||Women playwrights only. Submissions may not have been previously produced or fully staged. Fee waived for current members of the Dramatists Guild.||8/31/22||Knoxville, Tennessee||Fee: $22
|Hidden River Arts Playwrighting Award||Full Length||Unpublished and unproduced plays. Musicals ok. Int’l submissions ok.||8/31/22||Philadelphia, Pennsylvania||Fee: $20
|Music Theatre of Connecticut||60-90 pages||Submissions must not have been previously produced or published.||8/31/22||Norwalk, Connecticut||Fee: $15
|Ten-Minute Musicals Project||7-20 mins||Complete original stage musicals. Any musical style. Max of 10 performers — 5 women and 5 men. Int’l submissions ok.||8/31/22||West Hollywood, California||$250 royalty advance|
|The Frank Moffett Mosier Fellowship for Works in Heightened Language||40+ mins||Submissions must be in a heightened version of the English language (at least 60%). Translations or adaptations ok. Int’l submissions ok.||8/31/22||n/s||Prize: $3,000|
|The PlayGround Experiment||max 2 mins||Monologues that represent America’s incredible diversity; can be historical or futuristic, cultural or political, comedic or tragic, spoken or signed. Must include the word “kindness” somewhere in the monologue.||8/31/22||TBA||n/a|
|American-Scandinavian Foundation||25-50 pages||Translations of drama written by a 20th or 21st-century Nordic author.||9/1/22||NYC||Prize: $2,500|
|Bristol Valley Theater||Full Length||Plays must be previously unproduced, but may have been workshopped or received other readings.||Year Round||Naples, New York||“small stipend”|
|Playwrights Offering Free Feedback||Full Length||Full-length trade program. You must read a play and give feedback, and in return will have an opp to send a play and get feedback from other playwright.||Year Round||n/a||n/a|
|The Open Eye Theater||One Act,
|Plays for young audiences or for general audiences. Also interested in radio plays (max 40 mins).||Year Round||Margaretville, New York||n/a|
|Trade A Play Tuesday||10 mins||Send in 10-min play and get same-day feedback. You must also read 10 pages of another playwright’s work, and give thoughtful feedback. Runs every Tuesday.||Year Round||n/a||n/a|
Want to see more opps just like those listed in this blog post?
Remember, as a member you’ll get all sorts of extra benefits, including:
- The full, up-to-date listing of 400+ theaters that are looking for new plays
- Regular emails of new play submission opportunities with year-round and hard deadlines
- Access to over $10,000 in prize & content money
Here’s what your fellow playwright have to say about PSH:
“PSH was recommended to me by a playwright I looked up to when I was first starting out. The price was reasonable, and it has been a great tool. I found a few opportunities that I could take advantage of with the few plays I had written at that time. Later in the summer I found out I had won a national contest, collecting many hundreds of dollars. The opportunities are varied and specific, with links provided so time is not wasted frolicking through websites to get to the information you need. PSH also gives a quick overview of what kind of material people are looking for out there. It helps me prioritize my work so that I’m offering plays with a better chance of seeing a stage. I’ve written to PSH with questions, and they were more than responsive, obviously passionate about the playwriting community. Yes, I highly recommend subscribing to PSH.”
– Dave Durham, Michigan Playwright