Howdy, Playwrights! Here’s a list of 35 play submission opps with October+ 2024 deadlines.
Name | Length | Nature of Opportunity | Deadline | Location | Add’l Info |
Eugene O’Neill Theater Center | Any length | Dev’t opp. All styles and genres of drama, including one-acts and solo pieces. | 9/26/24 | Waterford, Connecticut | Fee: $15 |
Flint Repertory Theatre | Full Length | New plays and musicals. | 10/1/24 | Flint, Michigan | n/a |
FRIGID New York | 10-15 mins | Themes of winter, the holidays, and the horrors. Int’l submissions ok. | 10/1/24 | NYC | $80 stipend |
Golden Antelope Press | 20 pages (sample) | Publication opp. Plays accepted. | 10/1/24 | n/a | n/a |
New Plains Review | max 12 pages | Publication opp. One-act plays. Any style or subject matter. | 10/1/24 | Edmond, Oklahoma | Fee: $3 |
Short+Sweet Theatre | 10 mins | Any genre. Int’l submissions ok. | 10/1/24 | Australia | Fee: $13 |
South Carolina Theatre Association | 10 mins | Submission is FREE for the first two submissions by a SCTA Member, $15 per additional script. $20 for non-members. | 10/1/24 | Greenville, South Carolina | n/a |
Tennessee Williams & New Orleans Literary Festival | max 1 hr | One-act plays. Emerging or previously unpublished playwrights. DEADLINE EXTENDED TO OCTOBER 21 | 10/21/24 | New Orleans, Louisiana | Fee: $25 Prize: $1,500 |
The Players Theatre | max 90 mins | Plays and musicals. Playwrights must produce. | 10/1/24 | New York City, New York | n/a |
Millay Arts Playwriting Core Residency | max 20 pages (sample) | Playwriting residency. | 10/2/24 | Austerlitz, New York | App Fee: $45 |
Obsidian Theatre Festival | See right. | New, short and full length plays by emerging Black playwrights. New, musical theatre pieces in dev’t. | 10/4/24 | Detroit, Michigan | n/a |
Furious Gazelle | max 10 pages | Halloween-themed short plays. | 10/6/24 | n/a | No Fee Prize: $50 |
Fargo Moorhead Community Theatre | max 10 mins | Submissions are welcome from anywhere! | 10/13/24 | Moorhead, Minnesota | Fee: $10 |
Playwrights Foundation | Full Length | Writers of all ages, backgrounds, identities, national writers, and local Bay Area writers. | 10/14/24 | San Francisco, California | Fee: TBD |
Great Plains Theatre Commons | 30+ pages | One-act or full length. | 10/15/24 | Omaha, Nebraska | Fee: $10 $750 stipend |
Obsidian | max 20 pages | Publication opp. One act or a collection of short scenes. Excerpts of longer works are welcome if self-contained. | 10/15/24 | Normal, Illinois | n/a |
Santa Clara Review | max 6,000 words | Drama accepted. | 10/15/24 | Santa Clara, California | n/a |
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Seven Devils New Play Foundry | Full Length | Dev’t opp. Any genre or style. Int’l submissions ok. | 10/15/24 | McCall, Idaho | Fee: $10 |
Stage Right Theatrics | max 20 mins | Short plays. NO FEE FOR NPX OR PSH MEMBERS! | 10/15/24 | Dublin, Ohio | Fee: $10 |
Wildacres Residency Program | “sample” | 1 or 2-week residency. | 10/15/24 | Little Switzerland, North Carolina | App Fee: $30 |
A is For | max 90 mins | One-act plays about reproductive rights and ending stigma against abortion. Int’l submissions ok. | 10/18/24 | NYC | Prize: $5,000 |
The Writers’ Colony at Dairy Hollow Moondancer Fellowship | max 10 pages (sample) | Fellowship for authors who express their passion for the natural world and concern for the environment through their writing. Open to playwrights. | 10/21/24 | Eureka Springs, Arkansas | App Fee: $35 |
Durango PlayFest | 90 mins | Dev’t opp. Dramas or comedies. US playwrights only. | 10/25/24 | Durango, Colorado | $500 stipend |
Powerstories Theatre | Full Length | Women playwrights. Any theme. | 10/25/24 | Tampa, Florida | Fee: $10 |
Powerstories Theatre | Full Length | Women playwrights over 40. Any theme. | 10/25/24 | Tampa, Florida | Fee: $10 |
Arizona Theatre Company | Full Length, One Act | Latine playwrights residing in the US, its territories or Mexico. Scripts may be in English, Spanish, or a combination of the two. Any subject. | 10/31/24 | Tucson, Arizona | n/a |
Dayton Playhouse | Full Length | Original work. Fee waived for Dramatists Guild members. | 10/31/24 | Dayton, Ohio | Fee: $20 Prize: $500 |
Exist Otherwise | max 1,000 words | Publication opp. Scripts accepted. Theme: “…you should discover, handle, tame, make irrational objects yourself.” | 10/31/24 | n/a | n/a |
ScreenCraft | max 150 pages | Plays that have film or TV adaptation potential. Int’l submissions ok. | 10/31/24 | Los Angeles, California | Fee: $49.99 Prize: $500 |
Actors Theatre of Louisville | Full Length | Unproduced plays. | Year Round | Louisville, Kentucky | n/a |
MOXIE Theatre | Full Length | Playwrights who identify as women+. | Year Round | San Diego, California | n/a |
New Fortune Theatre Company | Full Length | Unpublished, previously unproduced plays. | Year Round | La Mesa, California | n/a |
New Georges | Full Length | Women (cis + trans) and nonbinary playwright. | Year Round | New York City, New York | n/a |
PDX Playwrights | Any length | Plays of any style, any length, and in any stage of dev’t. | Year Round | Portland, Oregon | n/a |
Trade A Play Tuesday | 10 mins | Send in 10-min play and get same-day feedback. You must also read 10 pages of another playwright’s work, and give thoughtful feedback. Runs every Tuesday. | Year Round | n/a | n/a |
Want to see more opps just like those listed in this blog post?
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- The full, up-to-date listing of 400+ theaters that are looking for new plays
- Regular emails of new play submission opportunities with year-round and hard deadlines
- Access to over $10,000 in prize & content money
Here’s what your fellow playwright have to say about PSH:
“PSH was recommended to me by a playwright I looked up to when I was first starting out. The price was reasonable, and it has been a great tool. I found a few opportunities that I could take advantage of with the few plays I had written at that time. Later in the summer I found out I had won a national contest, collecting many hundreds of dollars. The opportunities are varied and specific, with links provided so time is not wasted frolicking through websites to get to the information you need. PSH also gives a quick overview of what kind of material people are looking for out there. It helps me prioritize my work so that I’m offering plays with a better chance of seeing a stage. I’ve written to PSH with questions, and they were more than responsive, obviously passionate about the playwriting community. Yes, I highly recommend subscribing to PSH.”
– Dave Durham, Michigan Playwright
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