Howdy, Playwrights! Here’s a list of 35 play submission opportunities with July+ 2025 deadlines. This is just a small sample of what is in our mega-list available to paid members. Join now to get access!
Name | Length | Nature of Opportunity | Deadline | Location | Add’l Info |
New City Players | max 10 pages | Prompt: It’s summertime! Play that includes the phrase “hot girl summer” in it. | 6/26/25 | Fort Lauderdale, Florida | n/a |
IATI | Full Length | Open to authors worldwide who have original works in English or Spanish. | 6/30/25 | NYC | No Fee |
Kumu Kahua Theatre | 10-12 pages | Prompt: A word salad prompt. Write a scene using Donald Trump’s response taken from a transcript of a Business Roundtable meeting in Doha, Qatar on May 15, 2025. See website for more info. | 6/30/25 | Honolulu, Hawaii | Prize: $100 |
Native Voices at the Autry | max 10 mins | Native American, Alaska Native, Native Hawaiian, and First Nations artists. Theme: “Merciless Indian Savages: A Native Perspective about the Declaration of Independence and US History” | 6/30/25 | Los Angeles, California | Prize: $1,000 |
North Park Playwright Festival | max 12 pages | Int’l submissions ok. Any subject matter. No nudity or off color humor. | 6/30/25 | San Diego, California | No Fee |
Gallery Players | 30-60 mins | Plays must be unproduced. Must be the play’s world premiere. | 7/1/25 | Brooklyn, New York | n/a |
Golden Antelope Press | 20 pages (sample) | Publication opp. Plays accepted. | 7/1/25 | n/a | n/a |
New Works/New Voices | Full Length | Musicals by writers and composers whose perspectives have been historically underrepresented in the musical theater canon. | 7/1/25 | Syracuse, New York | n/a |
Short+Sweet Theatre | max 10 mins | Any genre. Int’l submissions ok. | 7/1/25 | India | Fee: $13 |
The Braid | max 1500 words | Theme: Two Faiths, One Love | 7/1/25 | Santa Monica, California | n/a |
The Players Theatre | max 90 mins | Original plays and musicals. Playwrights must produce. | 7/2/25 | NYC | n/a |
Fresh Words | 1 min | Plays inspired by the chillingly utopian world of Aldous Huxley’s Brave New World. Open to all styles. | 7/12/25 | n/a | n/a |
Mulberry Literary | n/s | Publication opp. Int’l submissions ok. Translations ok. | 7/14/25 | n/a | No Fee |
Lazuli Literary Group | max 150 pages | Publication opp. Both previously published and unpublished works are eligible. | 7/15/25 | n/a | Fee: $15 |
Loghaven Artist Residency | max 20 pages (sample) | Apps from playwrights accepted. | 7/15/25 | Knoxville, Tennessee | Fee: $25 |
Marble House Project | n/s | Residency. Apps from playwrights accepted. | 7/15/25 | Dorset, Vermont | App Fee: $35 |
Molecule | max 50 words | Publication opp. Accepts play submissions. | 7/15/25 | n/a | No Fee |
The A Chronicles | max 10 mins | Plays that open a wide-angle lens on reproductive rights. Monologues ok. All are welcome to submit. | 7/15/25 | Westport, Connecticut | $50 honorarium per production |
Ucross Foundation | Full Length | Residency. Apps from playwrights accepted. | 7/15/25 | Ucross, Wyoming | App Fee: $40 |
Coachella Valley Repertory | Full Length | Play or musical which is in line with CV Reps’s artistic vision and mission. | 7/25/25 | Cathedral City, California | n/a |
The Players Theatre | max 15 mins | Plays and musicals. Playwrights must produce. Theme: Boo! | 7/26/25 | NYC | Prize: $100 |
Lost Lake Folk Opera | max 10 pages | Publication opp. Theme: United We Write | 7/31/25 | n/a | n/a |
Masque & Spectacle | 10 mins | Publication opp. Previously unpublished works only. | 7/31/25 | n/s | n/a |
William Faulkner Literary Competition | less than 1 hr | Open to all ages. Original, unpublished one-act play. | 7/31/25 | New Albany, Mississippi | Fee: $20 Prize: $600 |
Free State Review | 1 min | Publication opp. Previously performed plays ok. | 8/1/25 | n/a | Fee: $3.50 |
The Braid | max 1500 words | Various themes. See website for details. | 8/1/25 | Santa Monica, California | n/a |
Jewish Plays Project | Full Length | Plays that contain significant Jewish themes, characters, content, or points of view. | Year Round | NYC | No Fee |
Lolwe | One Act | Publication opp. Drama accepted. Open to Black artists from anywhere in the world. | Year Round | n/a | No Fee |
Milagro | Any length | Latina playwrights. | Year Round | Portland, Oregon | n/a |
Missed the Boat Theatre | Full Length | New and emerging playwrights whose scripts align with a Catholic worldview. Musicals ok. | Year Round | St. Paul, Minnesota | n/a |
PAUL | One Act, Full Length | Accepts scripts for dev’t & production consideration. | Year Round | NYC | n/a |
Spokane Playwrights Laboratory | Full Length | Any genre, topic, or theme, except musicals. | Year Round | Spokane, Washington | n/a |
The Rev Theatre Co. | max 45 mins | Scripts for young audiences. Touring production. Non-musical preferred. | Year Round | Auburn, New York | n/a |
Trade A Play Tuesday | 10 mins | Send in 10-min play & get same-day feedback. You must also read 10 pages of another playwright’s work and give thoughtful feedback. Runs every Tuesday. Any subject matter. | Year Round | n/a | n/a |
Westport Country Playhouse | Full Length | Accepts scripts from all writers, and strongly encourages submissions from Black, indigenous, and writers of color. | Year Round | Westport, Connecticut | n/a |
Want to see more opps just like those listed in this blog post?
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- The full, up-to-date listing of 500+ theaters that are looking for new plays
- Regular emails of new play submission opportunities with year-round and hard deadlines
- Access to over $10,000 in prize & content money
Here’s what your fellow playwright have to say about PSH:
“PSH was recommended to me by a playwright I looked up to when I was first starting out. The price was reasonable, and it has been a great tool. I found a few opportunities that I could take advantage of with the few plays I had written at that time. Later in the summer I found out I had won a national contest, collecting many hundreds of dollars. The opportunities are varied and specific, with links provided so time is not wasted frolicking through websites to get to the information you need. PSH also gives a quick overview of what kind of material people are looking for out there. It helps me prioritize my work so that I’m offering plays with a better chance of seeing a stage. I’ve written to PSH with questions, and they were more than responsive, obviously passionate about the playwriting community. Yes, I highly recommend subscribing to PSH.”
– Dave Durham, Michigan Playwright