Howdy, Playwrights! This month, we have 35 play submission opps with August+ 2023 deadlines.
| Name | Length | Nature of Opportunity | Deadline | Location | Add’l Info |
| Cellunova New Play Festival | 25-45 mins | One-act plays. Theme: Metamorphosis | 7/30/23 | NYC | n/a |
| Fresh Words | max 1 min | Publication opp. Comic play/monologue. | 7/30/23 | n/a | No Fee |
| Athena Project | Full Length | Women playwrights only. | 7/31/23 | Denver, Colorado | n/a |
| Eclectic Full Contact Theater Company | max 20 mins | Short genre scripts written in the style of Old Time Radio. Genre: Noir | 7/31/23 | Chicago | Prize: $250 |
| Springhouse Journal | max 30 pages | Publication opp. Plays accepted. | 7/31/23 | n/a | n/a |
| American Stage | Full Length | BIPOC or LGBTQIA+ playwrights. Must reside in the US. | 8/1/23 | St. Petersburg, Florida | stipend of $600 |
| L’Esprit Literary Review | Any length | Publication opp. Drama accepted. Translations ok. | 8/1/23 | n/a | No Fee |
| SPELLBINDER | max 5 pages | Publication opp. Drama accepted. Play extracts and monologues are welcome. | 8/1/23 | n/a | £3 honorarium |
| Transformation Theatre | 90-110 mins | Int’l submissions ok. Pays that explore and give voice to themes and those who identify as AAPI, Neurodiverse (specifically Autism), Blind and Vision Impaired, Gender Equality. | 8/1/23 | Laurel, Maryland | n/a |
| Polyphone Festival of New Musicals | Full Length | Musicals. Must be a complete early to mid-stage draft and must have been read at least once in a reading, workshop, or concert setting. Zoom and other online readings are ok. | 8/13/23 | Philadelphia, Pennsylvania | n/a |
| Hypatia-in-the-Woods | 10 pages (sample) | 1-3 weeks residency. Apps from WOMEN playwrights accepted. | 8/15/23 | Shelton, Washington | Fee: $20 |
| New Plains Review | max 12 pages | Publication opp. One-act plays. Any style or subject matter. | 8/15/23 | Edmond, Oklahoma | Fee: $3 |
| Qu Literary Magazine | max 4,000 words | Publication opp. Excerpts or full pieces written for stage. | 8/15/23 | Charlotte, North Carolina | Fee: $2.50 |
| Vintage Theatre | Full Length | Romantic comedy. Int’l submissions ok. | 8/15/23 | Aurora, Colorado | Fee: $20 |
| Yale Drama Series | Full Length | Int’l submissions ok. Plays written in English only. | 8/15/23 | New Haven, Connecticut | No Fee Prize: $10,000 |
| The PlayGround Experiment | max 2 mins | Monologues that represent America’s incredible diversity. Must include the word “RENEWAL” somewhere in the monologue. | 8/18/23 | TBA | n/a |
| The Sauk | max 15 mins | Comedies and dramas. Plays with roles for teens and young people are encouraged. | 8/25/23 | Jonesville, Michigan | No Fee |
| Clive Awards | Full Length | The play must directly reflect FPA’s mission of producing theatre from a Christian worldview to engage a diverse audience. Int’l submissions ok. | 8/31/23 | NYC | No Fee Prize: $25,000 |
| Constellation Stage & Screen | Full Length | Plays must be unpublished at the time of submission (independently published is acceptable). | 8/31/23 | Bloomington, Indiana | Prize: $3,000 |
| Gallery Players | 30-60 mins | Must be the play’s world premiere. | 8/31/23 | Brooklyn, New York | n/a |
| Henley Rose Playwright Competition | Full Length | Women playwrights. Fee waived for Dramatists Guild members. | 8/31/23 | Knoxville, Tennessee | Fee: $22 Prize: 1,000 |
| Ten-Minute Musicals Project | 7-20 mins | Musicals. Any musical style or theatrical format. Max 10 performers – 5 women and 5 men. Int’l submissions ok. | 8/31/23 | West Hollywood, California | $250 royalty advance |
| Theatre Oxford | max 10 pages | Only original plays, never before produced, are eligible. | 8/31/23 | Oxford, Mississippi | Fee: $12 Prize: $1,000 |
| Kimmel Harding Nelson Center for the Arts | See right. | 2-8 weeks residency. Submit up to 2 one-act plays or up to 2 excerpts from a longer work. | 9/1/23 | Nebraska City, Nebraska | App Fee: $35 |
| The Black Spring Press Group | 40-1,000 pages | Publication opp. Plays accepted. Any style or format, and genre. Int’l submissions ok. | 9/1/23 | London | Fee: $25 |
| Theatre Three | max 30 mins | UNPRODUCED works only. Int’l submissions ok. | 9/1/23 | Port Jefferson, New York | $150 stipend |
| The Coachella Review | 10-12 pages | Publication opp. Plays accepted. Monologues ok, up to 1,500 words. | 9/4/23 | Coachella Valley, California | n/a |
| Theatre Now New York | 45 mins | Musical that has not yet received a major production. May be at any stage of development. | 9/4/23 | NYC | No Fee |
| American Stage | 20-60 mins | Short or one-act plays. US playwrights only. | Year Round | St. Petersburg, Florida | n/a |
| ArtAge Publications/Senior Theatre Resource Center | Any length | Any genre. Stories that portray older people in a positive light, living life fully in today’s modern society. Plays that feature women as lead characters and/or have a majority of women in the cast are preferred. | Year Round | Portland, Oregon | n/a |
| Funky Little Theater Company | max 15 pages | Short plays or excerpts from full-length plays. | Year Round | Colorado Springs, Colorado | n/a |
| Native Voices | Full Length | Scripts that have been developed and produced. | Year Round | Los Angeles, California | n/a |
| Playwrights Offering Free Feedback | Full Length | Full-length trade program. You must read a play and give feedback, and in return will have an opp to send a play and get feedback from other playwright. | Year Round | n/a | n/a |
| Trade A Play Tuesday | 10 mins | Send in 10-min play and get same-day feedback. You must also read 10 pages of another playwright’s work, and give thoughtful feedback. Runs every Tuesday. | Year Round | n/a | n/a |
| Yeppoon Little Theatre | max 20 mins | Int’l submissions ok. Any genre and subject matter. Must be suitable or adaptable for radio. | Year Round | Australia | n/a |
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“PSH was recommended to me by a playwright I looked up to when I was first starting out. The price was reasonable, and it has been a great tool. I found a few opportunities that I could take advantage of with the few plays I had written at that time. Later in the summer I found out I had won a national contest, collecting many hundreds of dollars. The opportunities are varied and specific, with links provided so time is not wasted frolicking through websites to get to the information you need. PSH also gives a quick overview of what kind of material people are looking for out there. It helps me prioritize my work so that I’m offering plays with a better chance of seeing a stage. I’ve written to PSH with questions, and they were more than responsive, obviously passionate about the playwriting community. Yes, I highly recommend subscribing to PSH.”
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