Howdy, Playwrights! Here’s a list of 35 play submission opps with March+ 2023 deadlines.
| Name | Length | Nature of Opportunity | Deadline | Location | Add’l Info |
| Athena Project | Full Length | Women playwrights. | 2/28/23 | Denver, Colorado | n/a |
| Magnetic Theatre | 5-15 mins | Open to all playwrights. Theme: Home | 2/28/23 | Asheville, North Carolina | Fee: $5 |
| Stories Found | 1-2 mins | Comedy scripts that can be easily adapted to audio. | 2/28/23 | Austin, Texas | n/a |
| Kimmel Harding Nelson Center for the Arts | See right. | Residency. $100 stipend per week. Submit up to 2 one-act plays or up to 2 excerpts from a longer work. | 3/1/23 | Nebraska City, Nebraska | App Fee: $35 |
| Millay Arts | max 15 pages (sample) | Residency. Works in progress, published pieces, excerpts from longer works, selections of short works are welcome. | 3/1/23 | Austerlitz, New York | App Fee: $45 |
| Parity Productions | Full Length | Women, trans, and gender-expansive writers. | 3/1/23 | NYC | No Fee Prize: $2,500 |
| riverSedge | max 15 pages | Publication opp. Accepts dramatic scripts. | 3/1/23 | Texas | Fee: $3 Prize: $350 |
| Tulsa Review | One Act (max 3,000 words) | Publication opp. Original, unpublished works only. | 3/1/23 | Tulsa, Oklahoma | No Fee |
| 938collective | 10-20 mins | Plays in the early stages of development, something completely new, or a little snippet of a larger project. Theme: Exhibitionism | 3/3/23 | n/s | n/a |
| Orlando Shakes | Full Length | Stories that speak to diverse community in Central Florida. New plays that deal with modern “issues of our times.” Local, national, and int’l playwrights are encouraged to submit. | 3/3/23 | Orlando, Florida | n/a |
| Exposition Review | max 4 pages | Publication opp. Accepts a complete scene for stage, up to 4 pages. Theme: Tacky | 3/5/23 | California | Fee: $5 “cash prize” |
| Scribe Playwriting Competition | Full Length, One Act | Play or musical. | 3/7/23 | Oil City, Pennsylvania | Fee: $7.50 to $19.99 |
| OnyxFest | One Act (45-60 mins) |
African American playwrights. Subject matter is broad. Avoid stereotypes, degrading or disrespectful portrayals of Black life and culture, and gratuitous violence or sexual content. | 3/10/23 | Indianapolis, Indiana | n/a |
| The Coachella Review | 10-12 pages | Publication opp. Welcomes dramatic writing for both stage and screen. Monologues of up to 1,500 words accepted. | 3/10/23 | Coachella Valley, California | n/a |
| Gulfport Community Players | 5-15 mins | US playwrights only. The play must be new and never produced in the Tampa Bay Florida area. Must be family-friendly, no nudity or foul language. | 3/15/23 | Gulfport, Florida | No Fee $50 stipend |
| Loft Ensemble | Full Length | Plays that are rich in theatrical imagination and exploration of the human condition. | 3/15/23 | Los Angeles, California | n/a |
| Ponder Review | 10-15 pages | Publication opp. Script excerpt or short play. | 3/15/23 | n/a | Fee: $2 |
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| Sewanee Writers’ Conference | 20+ pages | Workshop opp. Play or an excerpt of a play. | 3/15/23 | Sewanee, Tennessee | n/a |
| The Road Theatre Company | Any length | Any genre. The work must remain unproduced on the West Coast and unpublished through July 16, 2023. | 3/15/23 | North Hollywood, California | Fee: $20, $15 |
| Tilted House | max 2,000 words | One short play or an excerpt from a longer play. | 3/16/23 | New Orleans, Louisiana | n/a |
| Left Coast Theatre Co | 10-15 mins | Play must not have been previously produced in the Bay Area. Theme: Closets are for Clothes | 3/18/23 | San Francisco, California | n/a |
| Crafton Hills New Works Festival | 10 mins, One Act |
Theme: Transitions and Transformations | 3/19/23 | Yucaipa, California | Fee: $10 |
| Neukom Institute Literary Arts Award For Playwriting | Full Length | Plays addressing the question “What does it mean to be a human in a computerized world?” | 3/20/23 | New Hampshire & Vermont | $5,000 honorarium |
| Southeastern Louisiana University | Full Length | Open to all playwrights. Plays intended for a college-aged cast and audience. | 3/20/23 | Hammond, Louisiana | Fee: $10 |
| Literature Today | 1 min | Publication opp. Theme: Relationships | 3/28/23 | n/a | n/a |
| Sky Blue Theatre Company | max 30 mins | Int’l submissions ok. | 3/30/23 | London | Fee: £16 |
| Two Good Dogs Productions | 15-30 mins | NYC residents, 18+. Plays that call upon the voices and experiences rooted in historically marginalized communities. | 3/30/23 | NYC | Prize: $500 |
| Atlanta Fringe Audio | 15-60 mins | Audio drama. | 3/31/23 | Atlanta, Georgia | Fee: $25 Prize: $100 |
| Enter Stage Left Theater | One Act (max 20 mins) | Must be appropriate for a PG-13 audience. May be comedy, drama, etc. | 3/31/23 | Hopkinton, Massachusetts | Fee: $20 Prize: $200 |
| Pend Oreille Players | One Act (10-20 mins) |
The play must be family-friendly. | 3/31/23 | Newport, Washington | Fee: $10 |
| The Shawnee Playhouse | See right. | Short plays and full-length plays. | 3/31/23 | Shawnee on Delaware, Pennsylvania | Fees: $15, $25 |
| Theatre Workshop of Owensboro | One Act (max 25 pages) |
Plays must never have been performed. | 3/31/23 | Owensboro, Kentucky | Fee: $20 Prize: $500 |
| Vivid Stage | Full Length | Comedies or dramas. Roles for women (if any) are realistic and substantial. Contemporary topics. Focus on “the human story.” Warmth and optimism. | 3/31/23 | Summit, New Jersey | n/a |
| Playwrights Offering Free Feedback | Full Length | Full-length trade program. You must read a play and give feedback, and in return will have an opp to send a play and get feedback from other playwright. | Year Round | n/a | n/a |
| Trade A Play Tuesday | 10 mins | Send in 10-min play and get same-day feedback. You must also read 10 pages of another playwright’s work, and give thoughtful feedback. Runs every Tuesday. | Year Round | n/a | n/a |
Want to see more opps just like those listed in this blog post?
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- The full, up-to-date listing of 400+ theaters that are looking for new plays
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- Access to over $10,000 in prize & content money
Here’s what your fellow playwright have to say about PSH:
“PSH was recommended to me by a playwright I looked up to when I was first starting out. The price was reasonable, and it has been a great tool. I found a few opportunities that I could take advantage of with the few plays I had written at that time. Later in the summer I found out I had won a national contest, collecting many hundreds of dollars. The opportunities are varied and specific, with links provided so time is not wasted frolicking through websites to get to the information you need. PSH also gives a quick overview of what kind of material people are looking for out there. It helps me prioritize my work so that I’m offering plays with a better chance of seeing a stage. I’ve written to PSH with questions, and they were more than responsive, obviously passionate about the playwriting community. Yes, I highly recommend subscribing to PSH.”
– Dave Durham, Michigan Playwright
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I am so disappointed to see so many theatres requiring fees to submit. It’s bad enough so many produce without compensation but this is an added insult.