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Howdy, Playwrights!  This month, we have 35 play submission opps with October+ 2021 deadlines.
But we’re doing something different this month:

 

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Name Length Nature of Opportunity Deadline Location Add’l Info
Eccentric Bear Theater Co max 90 mins Looking for unproduced plays written within the last 3 yrs (2019 or later). Solo plays ok. 9/30/21 NYC $25 stipend
Bismarck State College Theatre max 10 mins Theme: It’s About Time. 10/1/21 Bismarck, North Dakota n/a
Break a Leg Productions  One Act
(5 pages)
Romantic Comedies or Love themed short plays. Strongly seeking stories involving seniors. 10/1/21 NYC n/a
Camargo Foundation max 20 pages (sample) Fellowships, 6 to 11 weeks. Int’l submissions ok. Apps from playwrights accepted. 10/1/21 France stipend of EUR 250 per week
Free State Review 1 min Publication opp. One-minute plays. 10/1/21 n/a Fee: $3
Furious Gazelle max 4,000 words Halloween-themed short plays. 10/1/21 n/a No Fee
Prize: $50
Manhattan Repertory Theatre Full Length, Short Plays Int’l submissions ok. Accepting 60 to 150-min full-length plays & 10 to 30-min short plays. 10/1/21 NYC Prod Fee: $1,500 – $50,000
Millay Colony for the Arts n/s Playwriting residencies. 10/1/21 Austerlitz, New York App Fee: $40
Noosa Arts Theatre 30-45 mins No restrictions on subject matter, theme or style. Not restricted to Australian residents. 10/1/21 Australia Fee: $A40
Prize: $5,000
The Sauk Any length Play dev’t opp including public staged readings. Any style: comedy, drama, young audience and/or musical. 10/1/21 Jonesville, Michigan “royalty”
American Antiquarian Society max 25 pages (sample) Fellowships for creative & performing artists & writers, including four weeks residency. 10/5/21 Worcester, Massachusetts $1,850 stipend
Spooky Action Theater max 45 mins Theme: “We Are Not Alone.” Plays that explore the human experience of CONNECTION & ISOLATION. Solo cast plays ok. 10/10/21 Washington, D.C. n/a
Stonecoast Review max 12 pages Publication opp. Accepts dramatic works. 10/10/21 Portland, Maine n/a
Art Omi n/s 1 week to 2 months residency. Open to published writers and translators of every type of literature. All text-based projects incl. theater are eligible. 10/15/21 Ghent, New York No Fee
Camino Real Playhouse 10 mins Plays can be on any subject. 10/15/21  San Juan Capistrano, California Fee: $10
Festival de la Bête Noire n/s Horror. Call for proposals. Plays accepted. 10/15/21 Montreal, Canada No Fee
Great Plains Theatre Conference Full Length, One Act The play must not have received an Equity production. Equity showcase productions are acceptable, as well as adaptations. 10/15/21 Omaha, Nebraska Fee: $10,
$500 stipend
New Perspectives Theatre Company 10-15 pages (sample) Development lab for emerging and mid-career women playwrights. 10/15/21 NYC n/a
Obsidian max 20 pages (see right) Publication opp. One-act or a collection of short scenes no longer than 20 pages. Excerpts of longer works are welcome if self-contained. 10/15/21 Normal, Illinois n/a
Old Library Theatre One Act
(15-30 mins)
Playwrights who have not had plays produced in previous festivals will receive priority in selection. 10/15/21 Fair Lawn, New Jersey Fee: $5
The Actors Studio of Newburyport 10 mins Female writers. Plays or monologues. Submissions can feature women in all walks of life. 10/15/21 Newburyport, Massachusetts n/a
The Little Theatre of Alexandria One Act
(20-50 mins)
Original, unpublished and un-produced plays. Shows cannot include nudity. Strong themes and language are welcome. 10/15/21 Alexandria, Virginia Fee: $20
Prize: $350
Third Citizen Theatre Company 15-45 mins Original plays inspired by, reimaginings of, or subversions of Shakespeare’s characters, themes, and plays. Plays should touch on contemporary political and social issues. 10/15/21 Salem, Massachusetts “stipend”
University of Central Florida School of Performing Arts Full Length Two-week residency for emerging playwrights. Seeking full-length plays, including devised works and Theatre for Young Audiences pieces. 10/15/21 Orlando, Florida n/a
American Academy of Arts and Letters Full Length Musical theater — musicals, plays with songs, thematic revues or any comparable work. Applicants must be citizens or permanent residents of the United States. 10/29/21 NYC n/a
Fort Union National Monument n/s Artist in residence program. Open to all writers. 10/29/21 Mora County, New Mexico $1000 stipend
Dayton Playhouse Full Length Original work that has not been published or produced where admission was charged prior to FutureFest 2022. Fee waived for Dramatists Guild members. 10/31/21 Dayton, Ohio Fee: $20
Prize: $1,000
Fantasy Theatre Factory 1-3 mins for monologues and 5-10 mins for short plays Monologues and short plays that reflect the personal experience, dreams, joys and hopes of Black female playwrights from the US. Note: Details not posted on the website. Email scripts to: blackfemaleplaywrights@gmail.com 10/31/21 Miami, Florida n/a
Moondance Int’l Film Festival 1, 2 or 3-act Stage play, stage play or musical for kids, audio/radio play. See submission categories. 10/31/21 Boulder, Colorado Fee: $50
New York University – Steinhardt Full Length New, unpublished and unproduced play scripts for young audiences. 10/31/21 NYC n/a
The Evansville Review max 15 pages Publication opp. Accepts short plays. Open to established writers as well as new voices. 10/31/21 Evansville, Indiana n/a
The Stanley Drama Award See right. Original full-length play, musical, or one-act play sequence that has not been professionally produced or received trade book publication. 10/31/21 Staten Island, New York Fee: $30
Prize: $2000
Playwrights Offering Free Feedback Full Length Full-length trade program. You must read a play and give feedback, and in return will have an opp to send a play and get feedback from other playwright. Year Round n/a n/a
Scawwy Howwow Theatre Any length Ongoing monthly horror-themed anthology podcast series. Open to new or experienced horror writers. Year Round n/a $25 compensation
Trade A Play Tuesday 10 mins Send in 10-min play and get same-day feedback. You must also read 10 pages of another playwright’s work, and give thoughtful feedback. Runs every Tuesday. Year Round n/a n/a

 

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“PSH was recommended to me by a playwright I looked up to when I was first starting out.   The price was reasonable, and it has been a great tool.  I found a few opportunities that I could take advantage of with the few plays I had written at that time.  Later in the summer I found out I had won a national contest, collecting many hundreds of dollars.  The opportunities are varied and specific, with links provided so time is not wasted frolicking through websites to get to the information you need.  PSH also gives a quick overview of what kind of material people are looking for out there.   It helps me prioritize my work so that I’m offering plays with a better chance of seeing a stage.  I’ve written to PSH with questions, and they were more than responsive, obviously passionate about the playwriting community.  Yes, I highly recommend subscribing to PSH.”

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