Howdy, Playwrights! Here’s a list of 36 play submission opps with February+ 2024 deadlines.
Name | Length | Nature of Opportunity | Deadline | Location | Add’l Info |
Durango Arts Center | max 10 pages | Int’l submissions ok. Theme: MYSTERY, MURDER and MAYHEM | 1/30/24 | Durango, Colorado | No Fee |
Jakespeare Theatre Company | max 60 seconds | Sci-fi plays. Comedies, dramas, and everything in between. Plays should be (mostly) family-friendly. | 1/31/24 | Marlborough, Massachusetts | No Fee |
East Valley Children’s Theatre | 60-90 mins | Plays must be suitable for children to perform and for an audience of children. Musicals ok. | 2/1/24 | Mesa, Arizona | No Fee Prize: $500 |
Heartland Theatre Company | max 10 mins | Theme: GHOSTS | 2/1/24 | Bloomington, Illinois | n/a |
HERE Artist Residency Program | n/s | Open to individual artists or collaborative teams (writers, performers, composers, etc.). | 2/1/24 | NYC | n/a |
Wild Imaginings | Full Length | Drama, comedy, or book of a musical. Open to all playwrights. | 2/1/24 | Waco, Texas | n/a |
The Playwrights Realm’s Writing Fellowship | Full Length | Nine months of resources, workshops and feedback designed to help early-career playwrights reach their professional and artistic goals. | 2/5/24 | NYC | $5,000 Award |
The Playwrights Realm’s Scratchpad Series | Full Length | A paid developmental process of up to one week culminating in a reading of the play. | 2/5/24 | NYC | n/a |
Tofte Lake Center | n/s | Residency. | 2/5/24 | Ely, Minnesota | n/a |
Café Royal Cultural Foundation NYC | See right. | Performance grant to individuals focused on the production of theatre, dance and performance art. Must be a current resident of NYC. If the performance is a play, it must be a full production. | 2/6/24 | NYC | Up to $10,000 grant |
Carlow Little Theatre Society | 20-40 mins | Int’l submissions ok. | 2/9/24 | Ireland | Fee: €20 Prize: €500 |
MacDowell Colony | Full Length | Residency. Int’l submissions ok. No residency fees. | 2/10/24 | Peterborough, New Hampshire | App Fee: $30 |
IndyFringe Theatre Festival | 45-60 mins | Int’l submissions ok. Any genre including drama. | 2/11/24 | Indianapolis, Indiana | App Fee: $30 |
Gloucester Stage Company | Full Length | New climate action plays, preferably coastal climate change, but open to all plays tackling any theme of climate action. | 2/12/24 | Gloucester, Massachusetts | n/a |
Muskegon Community College | 10-15 pages | Comedic or dramatic plays of all types. Theme: EMPOWERMENT | 2/14/24 | Muskegon, Michigan | Fee: $10 Prize: $100 |
Denver Quarterly | max 4,000 words | Interested in texts intended to be performed in some capacity, including one-act plays. Excerpts from longer works are permissible. | 2/15/24 | n/a | n/a |
Hypatia-in-the-Woods | 10 pages (sample) | 1-3 weeks residency. Apps from WOMEN playwrights accepted. | 2/15/24 | Shelton, Washington | Fee: $20 |
Loft Ensemble | Full Length | Plays that are rich in theatrical imagination and exploration of the human condition. | 2/15/24 | Los Angeles, California | n/a |
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The Jane Chambers Playwriting Award | Full Length | New plays and performance texts by women and genderqueer writers for the stage that present a feminist perspective and present significant roles for female-identified performers. | 2/15/24 | Washington, D.C. | Prize: $1,000 |
The Road Theatre Company | Any length | Any genre. The work must remain unproduced on the West Coast and unpublished through July 1, 2024. | 2/15/24 | North Hollywood, California | Fee: $20, $15 |
Woodstock Byrdcliffe Guild | n/s | Residency. | 2/16/24 | Woodstock, New York | App Fee: $30 |
McNerney Playwriting Contest | Full Length | US playwrights only. | 2/18/24 | Charleston, South Carolina | Fee: $10 Prize: $400 |
Wayne Literary Review | max 3,500 words | One-act plays or excerpts no longer than 3500 words. | 2/18/24 | Detroit, Michigan | n/a |
T. Schreiber Studio & Theatre | max 15 mins | Seeking a wide variety of plays both comedic and dramatic. Theme: Wake Up! | 2/19/24 | NYC | Fee: $5 stipend of $75 |
Geneva Theatre Guild | One Act (max 30 mins) | The play must be unpublished. | 2/20/24 | Geneva, New York | n/a |
Ox-Bow | n/s | 3-week residencies. Fully funded. | 2/25/24 | Saugatuck, Michigan | n/a |
Ensemble Studio Theatre | 25 pages (sample) + Full Length | NYC metro area resident playwrights. | 2/26/24 | NYC | n/a |
Mine 4 God Productions | One Act (15-30 mins) | Theme: Peace Within the Storm | 2/28/24 | Dublin, Ohio | n/a |
Mine 4 God Productions | 5-10 mins | Theme: Peace Within the Storm | 2/28/24 | Dublin, Ohio | n/a |
Kimmel Harding Nelson Center for the Arts | See right. | Residency with a weekly $175 stipend. Submit up to 2 one-act plays or up to 2 excerpts from a longer work. | 3/1/24 | Nebraska City, Nebraska | App Fee: $35 |
Live & In Color | 15 pages (sample) | Playwrights, composers, and lyricists of color and/or other underrepresented communities interested in developing their new musical. | 3/1/24 | Salem, Connecticut | n/a |
OnyxFest | One Act (45-60 mins) | Black writers. | 3/1/24 | Indianapolis, Indiana | n/a |
Orlando Shakes | Full Length | Stories that speak to diverse community in Central Florida. New plays that deal with modern issues of our times. Int’l submissions ok. | 3/1/24 | Orlando, Florida | n/a |
riverSedge | max 15 pages | Publication opp. Accepts dramatic scripts. | 3/1/24 | Texas | Fee: $3 Prize: $350 |
The Growing Stage | 45+ mins | Plays should be intended for young audiences through high school age. Musicals ok. BIPOC plays and playwrights are encouraged. | 3/1/24 | Netcong, New Jersey | n/a |
Trade A Play Tuesday | 10 mins | Send in 10-min play and get same-day feedback. You must also read 10 pages of another playwright’s work, and give thoughtful feedback. Runs every Tuesday. | Year Round | n/a | n/a |
Want to see more opps just like those listed in this blog post?
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- The full, up-to-date listing of 400+ theaters that are looking for new plays
- Regular emails of new play submission opportunities with year-round and hard deadlines
- Access to over $10,000 in prize & content money
Here’s what your fellow playwright have to say about PSH:
“PSH was recommended to me by a playwright I looked up to when I was first starting out. The price was reasonable, and it has been a great tool. I found a few opportunities that I could take advantage of with the few plays I had written at that time. Later in the summer I found out I had won a national contest, collecting many hundreds of dollars. The opportunities are varied and specific, with links provided so time is not wasted frolicking through websites to get to the information you need. PSH also gives a quick overview of what kind of material people are looking for out there. It helps me prioritize my work so that I’m offering plays with a better chance of seeing a stage. I’ve written to PSH with questions, and they were more than responsive, obviously passionate about the playwriting community. Yes, I highly recommend subscribing to PSH.”
– Dave Durham, Michigan Playwright
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