Howdy, Playwrights! Here’s a list of 36 play submission opps with March 2024 deadlines.
Name | Length | Nature of Opportunity | Deadline | Location | Add’l Info |
Crow Name | max 20 pages | Publication opp. Scripts accepted. | 3/1/24 | n/s | n/a |
Gi60 | max 60 secs | One-minute plays. Int’l submissions ok. | 3/1/24 | Leeds & NYC | No Fee |
Kimmel Harding Nelson Center for the Arts | See right. | Residency with a weekly $175 stipend. Submit up to 2 one-act plays or up to 2 excerpts from a longer work. | 3/1/24 | Nebraska City | App Fee: $35 |
OnyxFest | One Act (45-60 mins) | Black writers. | 3/1/24 | Indianapolis | n/a |
riverSedge | max 15 pages | Publication opp. Accepts dramatic scripts. | 3/1/24 | Texas | Fee: $3 Prize: $350 |
Stageworks Studio | One Act (max 20 mins) | One person plays are accepted.*Fee waived for members of Dramatist Guild. | 3/1/24 | Pompton Lakes, New Jersey | Fee: $20 Prize: $250 |
The Alpine Fellowship | max 45 mins | Open to all nationalities. Entries must be written in English. | 3/1/24 | London | Prize: £3000 |
The Growing Stage | 45+ mins | Plays for young audiences through high school age. Musicals ok. BIPOC plays and playwrights are encouraged. | 3/1/24 | Netcong, New Jersey | n/a |
Tulsa Review | One Act (max 3,000 words) | Publication opp. Original, unpublished works only. | 3/1/24 | Tulsa, Oklahoma | Fee: $3 |
West Hudson Arts & Theatre Company | One Act (5-30 mins) | Plays in English, Spanish, or Portuguese are welcome. Content should be appropriately PG-13. | 3/1/24 | Harrison, New Jersey | n/a |
Millay Arts Steepletop Residency | max 15 pages (sample) | Works in progress, published pieces, excerpts from longer works, selections of short works are welcome. | 3/3/24 | Austerlitz, New York | App Fee: $45 |
Exposition Review | max 4 pages | Publication opp. Accepts a complete scene for stage. Theme: Host | 3/5/24 | California | Fee: $5 “cash prize” |
Scribe Playwriting Competition | Full Length, One Act | Unpublished or unproduced play or musical. | 3/7/24 | Oil City, Pennsylvania | Fee: $7.50 to $19.99 |
Southeastern Louisiana University | Full Length | Open to all playwrights. Plays for a college-aged cast and audience. | 3/8/24 | Hammond, Louisiana | Fee: $10 |
The Coachella Review | max 12 pages | Publication opp. Interested in scripts 10-12 pages in length but welcomes & encourages shorter pieces, such as monologues of up to 1,500 words. | 3/8/24 | Coachella Valley, California | n/a |
Best Medicine Rep Theater Company | Full Length | Comedies. Previously produced plays ok, as long as the play has not been produced within the greater DC/Baltimore area. | 3/15/24 | Gaithersburg, Maryland | “small stipend” |
Black Men Talk Play Festival | 8-10 mins | New and emerging Black male playwrights. | 3/15/24 | Chicago | n/a |
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Ponder Review | 10-15 pages | Script excerpt or short play. | 3/15/24 | n/a | Fee: $2 |
Ponder Review | max 10 mins | Plays inspired by the work of Tennessee Williams. | 3/15/24 | n/a | Fee: $2 Prize: $200 |
Sewanee Writers’ Conference | 20+ pages | Play or an excerpt of a play. | 3/15/24 | Sewanee, Tennessee | n/a |
Sitka Center for Art and Ecology | See right. | Residency. Submit two writing samples of up to 10 pages. | 3/15/24 | Otis, Oregon | App Fee: $30 |
SUNY Brockport | 7-14 mins | Only original scripts allowed. | 3/15/24 | Brockport, New York | n/a |
Theatre Workshop of Owensboro | One Act (max 20 pages) | Plays must not have been produced before. | 3/16/24 | Owensboro, Kentucky | Fee: $20 Prize: $500 |
Edmonds Driftwood Players | 10-12 mins | Theme: “Silver Linings: A consoling or hopeful prospect” | 3/17/24 | Edmonds, Washington | n/a |
Red Bull Theater | max 10 mins | Play that makes use of heightened language, and/or is in conversation with a classical theme, style or story from any cultural tradition. Theme: RENEWAL | 3/18/24 | NYC | Fee: $10 |
Saranac Review | See right. | Short plays, one acts, riveting scenes, tiny musicals. | 3/18/24 | Plattsburgh, New York | Fee: $3 |
A Light in Dark Places | 5-15 pages | Theme: Suicide Prevention and Mental Health Conditions with a focus on community, connection, hope, resources & healing. | 3/27/24 | Los Angeles, California | Prize: $100 |
TheatreWorks | max 10 mins | Playwrights are responsible for the production of their plays. | 3/30/24 | New Milford, Connecticut | “cash prize” |
Atlanta Fringe Audio | 15-60 mins | Audio drama. | 3/31/24 | Atlanta, Georgia | Fee: $25 Prize: $100 |
Enter Stage Left Theater | One Act (max 20 mins) | Plays appropriate for a PG-13 audience. Comedy, drama, etc. | 3/31/24 | Hopkinton, Massachusetts | Fee: $20 Prize: $200 |
Hominum Journal | One Act | Publication opp. One-act plays accepted. | 3/31/24 | n/a | n/a |
Let’s Get to Know Her | 1-10 mins | Seeking scenes to be a part of a full-length compilation musical featuring female-identifying game-changers from throughout history. | 3/31/24 | n/a | n/a |
Pend Oreille Playhouse | One Act (max 20 mins) | The play must be family friendly. | 3/31/24 | Newport, Washington | Fee: $10 |
The Shawnee Playhouse | See right. | Short plays and full-length plays. | 3/31/24 | Shawnee on Delaware, Pennsylvania | Fees: $20, $30 |
Arkana | See right. | Publication opp. Accepts 10-min plays and scripts that are 20-pages or under. | Year Round | Conway, Arkansas | No Fee |
Trade A Play Tuesday | 10 mins | Send in 10-min play and get same-day feedback. You must also read 10 pages of another playwright’s work, and give thoughtful feedback. Runs every Tuesday. | Year Round | n/a | n/a |
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Here’s what your fellow playwright have to say about PSH:
“PSH was recommended to me by a playwright I looked up to when I was first starting out. The price was reasonable, and it has been a great tool. I found a few opportunities that I could take advantage of with the few plays I had written at that time. Later in the summer I found out I had won a national contest, collecting many hundreds of dollars. The opportunities are varied and specific, with links provided so time is not wasted frolicking through websites to get to the information you need. PSH also gives a quick overview of what kind of material people are looking for out there. It helps me prioritize my work so that I’m offering plays with a better chance of seeing a stage. I’ve written to PSH with questions, and they were more than responsive, obviously passionate about the playwriting community. Yes, I highly recommend subscribing to PSH.”
– Dave Durham, Michigan Playwright
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