Howdy, Playwrights! This month, we have 35 play submission opps with April 2024 deadlines.
| Name | Length | Nature of Opportunity | Deadline | Location | Add’l Info |
| Creative Nations | Any length | New works by Native American artists. Any genre. | 4/1/24 | Boulder, Colorado | No Fee |
| Fade to Black Play Festival | 8-10 mins | African-American playwrights. Any theme or genre. No characters under 17 yrs old. | 4/1/24 | Houston, Texas | No Fee “cash prize” |
| Fade to Black Play Festival | 1-3 mins | Monologues. African-American playwrights. Prefers comedy. Theme: The Wonder of Life | 4/1/24 | Houston, Texas | No Fee “cash prize” |
| Liberation Theatre Company | Full Length | 10-month dramaturgical and professional support for NYC residents. Must have written at least 2 full-length plays or at least 3 one-act plays. | 4/1/24 | NYC | “honorarium” |
| Stonecoast Review Issue #21 | max 12 pages | Publication opp. One-min plays, 10-min plays, and monologues. Theme: Ethical Storytelling | 4/1/24 | Portland, Maine | n/a |
| The Barr Hill Players | Full Length, One Act | New works by emerging playwrights. Scripts that can be cast with exactly 12 actors are particularly desirable. | 4/1/24 | Greensboro, Vermont | No Fee |
| Creative Capital Awards | max 25 pages (sample) | Grant. Accepts proposals from performing arts including theater (new theatrical work, playwriting). US citizens only. | 4/4/24 | NYC | Award: $15,000 – $50,000 |
| Anaconda Ensemble Theatre | 20-90 mins | New plays that have never had a fully staged production. Table reads or staged readings ok. | 4/5/24 | Anaconda, Montana | n/a |
| New Media Film Festival | Any length | Plays accepted. | 4/6/24 | Los Angeles, California | Fee: $80, $95 Prize: $45,000 |
| Pittsburgh New Works Festival | One Act (20-45 mins) |
Plays may have been read, but never produced. Workshops and readings are ok. | 4/6/24 | Pittsburgh, Pennsylvania | Fee: $15 Prize: $500 |
| Rosedale Community Players | One Act | Original plays, unpublished. Any genre or theme. | 4/7/24 | Southfield, Michigan | n/a |
| Surfside Playhouse | One Act (5-20 mins) |
One act plays or original songs from an original musical. | 4/8/24 | Cocoa Beach, Florida | n/a |
| Sullivan County Dramatic Workshop | max 10 mins | Plays must be presented in a black box format. Vulgar language and topics will not be accepted. | 4/12/24 | NYC | n/a |
| Fusion | max 10 pages | Any genre. Int’l submissions ok. Musicals ok. Theme: Uninvited Guests | 4/14/24 | Albuquerque, New Mexico | Fee: $5 |
| The Kerouac Project | max 10 pages (sample) | 2-month residency. Int’l submissions ok. | 4/14/24 | Orlando, Florida | App Fee: $50 |
| Black Latino Playwrights Celebration | Full Length | Student and professional Black and Latino playwrights. | 4/15/24 | San Marcos, Texas | n/a |
| Hambidge | 10-15 pages (sample) | 2 to 8 weeks residency. | 4/15/24 | Rabun Gap, Georgia | App Fee: $30 |
| Austin Film Festival | Full Length | Plays, original or adapted. Int’l submissions ok. | 4/19/24 | Austin, Texas | Fee: $25 Prize: $1,000 |
| Native Earth Performing Arts | max 10 pages (sample) | New works and works-in-development. Nat’l and int’l Indigenous performing artists. Theatre, musical, music or spoken word sets, and radio plays. | 4/19/24 | Toronto, Canada | n/a |
| Theatre Rocks | Full Length | Any US resident. Non-published, previous non-equity productions are ok. | 4/19/24 | Ennis, Texas | Fee: $30 Prize: $500 |
| Theatre Southwest | One Act (20 mins) |
Int’l submissions ok. All entries should be unpublished and previously unproduced in the Houston area. Any genre. | 4/20/24 | Houston, Texas | No Fee |
| The Rockefeller Foundation | n/s | Residency. Open to writers including playwrights. | 4/25/24 | NYC | n/a |
| Carlo Annoni International Playwriting Prize | Full Length, Short Play | Plays with topics concerning the LGBTQ+ community. | 4/30/24 | Milan, Italy | Prize: € 1000 |
| Fresh Fruit Festival | 10-30 mins, 4-12 mins |
Radio plays. Works must feature some aspect of LGBT life. | 4/30/24 | NYC | n/a |
| Gitelman & Good Publishers | Full Length | Publication opp. Plays appropriate for high-school actors and audiences. Theme: Identity and Self-Discovery | 4/30/24 | n/a | n/a |
| Hand to Mouth Players | One Act (max 25 mins) |
Play must be previously unpublished. | 4/30/24 | New York | Fee: $20 $25 honorarium |
| Moondance Int’l Film Festival | Any length | Stage play, stage play or musical for kids, radio play. | 4/30/24 | Boulder, Colorado | Fee: $25 |
| The Frank Moffett Mosier Fellowship for Works in Heightened Language | 40+ mins | Plays must contain at least 60% heightened language. Translations or adaptations ok. Int’l submissions ok. | 4/30/24 | n/s | Prize: $3,000 |
| Brewster Theater Company | One Act (max 30 mins) |
New or established playwrights. Plays must have been written after January 1, 2021. Any genre. *Solo shows must be no longer than 20 mins. | 5/1/24 | Carmel, New York | Fee: $25 |
| Equity Library Theater of New York | max 20 pages/mins | Playwrights from around the globe. Also seeking monologues (max 5 pages/mins). Musicals ok. Playwrights must produce. | 5/1/24 | NYC | No Fee |
| Foglifter | max 20 pages | Publication opp. LGBTQ+ writers. Drama accepted. | 5/1/24 | n/a | $50 honorarium |
| Neukom Institute Literary Arts Award For Playwriting | Full Length | Plays addressing the question “What does it mean to be a human in a computerized world?” | 5/1/24 | New Hampshire & Vermont | $5,000 honorarium |
| New England Review | max 5,000 words | Publication opp. Short plays and monologues. | 5/1/24 | Middlebury, Vermont | Fee: $3 |
| The Little Victory Theatre | Full Length | Plays or musicals. | Year Round | Staten Island, New York | n/a |
| Trade A Play Tuesday | 10 mins | Send in 10-min play and get same-day feedback. You must also read 10 pages of another playwright’s work, and give thoughtful feedback. Runs every Tuesday. | Year Round | n/a | n/a |
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“PSH was recommended to me by a playwright I looked up to when I was first starting out. The price was reasonable, and it has been a great tool. I found a few opportunities that I could take advantage of with the few plays I had written at that time. Later in the summer I found out I had won a national contest, collecting many hundreds of dollars. The opportunities are varied and specific, with links provided so time is not wasted frolicking through websites to get to the information you need. PSH also gives a quick overview of what kind of material people are looking for out there. It helps me prioritize my work so that I’m offering plays with a better chance of seeing a stage. I’ve written to PSH with questions, and they were more than responsive, obviously passionate about the playwriting community. Yes, I highly recommend subscribing to PSH.”
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