Howdy, Playwrights! This month, we have 35 play submission opps with August+ 2024 deadlines.
| Name | Length | Nature of Opportunity | Deadline | Location | Add’l Info |
| The Players Theatre | max 15 mins | Plays and musicals. Playwrights must produce. Theme: Boo! | 7/25/24 | NYC | Fee: $50 if selected |
| Clamour Theatre Company | Full Length | Playwrights’ retreat. Send a draft of a non-musical play. | 7/26/24 | Penney Farms, Florida | No Fee $100 stipend |
| Phoenix Theatre | Full Length | Plays and musicals. | 7/26/24 | Phoenix, Arizona | Fee: $10 |
| Athena Project | Full Length | Women playwrights. | 7/31/24 | Denver, Colorado | n/a |
| Avant Bard Theatre | Full Length | Playwrights who live in the DC region will be given preference. | 7/31/24 | Arlington, Virginia | n/a |
| Go Try PlayWrite | See right. | Write a 10-page max scene or an 8-page max monologue of someone having road rage. | 7/31/24 | Honolulu, Hawaii | Prize: $100 |
| Molecule | max 50 words | Publication opp. Plays accepted. | 7/31/24 | n/a | n/a |
| Eastern Front Theatre | max 75 mins | Productions aimed at both mature and youth audiences. Prefers shows that are created by Atlantic Canadian artists or tell Atlantic Canadian stories. Int’l submissions ok. | No deadline posted. | Canada | n/a |
| SPELLBINDER | max 5 pages | Publication opp. Drama accepted. Play extracts and monologues are welcome. | 8/1/24 | n/a | £3 honorarium |
| PEN/Heim Translation Fund Grants | n/s | Translations of drama, originally written by a single individual. Works must be translated into English. | 8/2/24 | n/a | n/a |
| L’Esprit Literary Review | No limit | Publication opp. Drama accepted. Translations ok. | 8/4/24 | n/a | No Fee |
| Café Royal Cultural Foundation | See right. | Performance grant. Must be US citizen or resident alien and a resident of NYC. If the performance is a play, it must be a full production. | 8/5/24 | NYC | n/a |
| Congo Square Theatre | Full Length | African American playwrights. | 8/5/24 | Chicago | n/a |
| New Art City Theatre | Full Length, One Act | Plays and musicals. | 8/11/24 | Ventura, California | Fee: $25 |
| Fresh Words | max 1 min | One-min play/monologue that rewrites a scene or incident or monologue or soliloquy from Shakespeare’s play. | 8/12/24 | n/a | No Fee |
| Strand Theater Co | max 10 pages | Playwrights must identify as Black women or non-binary. Must include a Black woman or non-binary protagonist, and a brown sugar. | 8/12/24 | Baltimore, Maryland | n/a |
| Hypatia-in-the-Woods | 10 pages (sample) | 1 to 3 weeks residency. Apps from WOMEN playwrights accepted. | 8/15/24 | Shelton, Washington | Fee: $20 |
| International Human Rights Art Festival | 10-20 mins | Performance work in any form – every discipline. Must be fully produced. New York and Tri-state area based artists are encouraged. | 8/15/24 | NYC | No Fee $100-$200 stipend |
| Qu Literary Magazine | max 4,000 words | Publication opp. Excerpts or full pieces written for stage. | 8/15/24 | Charlotte, North Carolina | Fee: $2.50 |
| Faces of America Monologue Festival | max 2 mins | Monologues that represent America’s incredible diversity. Must include the word “GRACE” somewhere in the monologue. | 8/19/24 | TBA | n/a |
| Jan Michalski Foundation | n/s | 2 weeks to 3 months residency. Int’l submissions ok. | 8/26/24 | Switzerland | n/a |
| Agbowó | One Act (10-30 mins) | Publication opp. Any theme and genre. Plays can be experimental. | 8/30/24 | n/s | n/a |
| Chaotic Merge Magazine | See right. | Publication opp. Accepts up to 2 unpublished plays totaling to 10 pages. | 8/31/24 | n/a | No Fee / optional fee $2 to $15 |
| Eclectic Full Contact Theatre | max 20 mins | Radio play. Genre: Fantasy | 8/31/24 | Chicago | Prize: $250 |
| Gitelman & Good Publishers | Full Length | Publication opp. Plays appropriate for high-school actors and audiences. Theme: Friendship and Loyalty | 8/31/24 | n/a | n/a |
| Static Frequency | 5-15 mins | Audio drama. Weird, strange, or unusual. Science fiction, fantasy, and horror are all accepted. Material may not be excessively violent or include explicit sexual situations. | 8/31/24 | n/a | No Fee Prize: $100 |
| Ten-Minute Musicals Project | 7-20 mins | Any musical style or theatrical format. Max of 10 performers — 5 women and 5 men. Int’l submissions ok. | 8/31/24 | West Hollywood, California | $250 royalty advance |
| Theatre Oxford | max 10 pages | Int’l submissions ok | 8/31/24 | Oxford, Mississippi | Fee: $12 Prize: $1,000 |
| Woodward/Newman Award | Full Length | Plays must be unpublished at the time of submission (independently published is acceptable). | 8/31/24 | Bloomington, Indiana | Prize: $3,000 |
| Equity Library Theater of New York | max 10 pages/mins | Int’l submissions ok. Also seeking monologues (max 5 pages/mins). Musicals ok. Playwrights must produce. | 9/1/24 | NYC | No Fee |
| Forward Theater Co | 2-10 mins | Monologues. Theme: Guilty Pleasures | 9/1/24 | Madison, Wisconsin | n/a |
| Kimmel Harding Nelson Center for the Arts | max 30 pages (sample) | 2-8 weeks residency. Submit up to 2 one-act plays or up to 2 excerpts (monologues, acts, scenes) from a longer work. | 9/1/24 | Nebraska City, Nebraska | App Fee: $35 $175 stipend/week |
| Theatre Three | max 30 mins | One-act plays. Int’l submissions ok. | 9/1/24 | Port Jefferson, New York | $150 stipend |
| Trade A Play Tuesday | 10 mins | Send in 10-min play and get same-day feedback. You must also read 10 pages of another playwright’s work, and give thoughtful feedback. Runs every Tuesday. | Year Round | n/a | n/a |
| Working Theater | Full Length | Stories for, about or made with working people, and/or the issues which affect them, in mind. | Year Round | NYC | n/a |
Want to see more opps just like those listed in this blog post?
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Here’s what your fellow playwright have to say about PSH:
“PSH was recommended to me by a playwright I looked up to when I was first starting out. The price was reasonable, and it has been a great tool. I found a few opportunities that I could take advantage of with the few plays I had written at that time. Later in the summer I found out I had won a national contest, collecting many hundreds of dollars. The opportunities are varied and specific, with links provided so time is not wasted frolicking through websites to get to the information you need. PSH also gives a quick overview of what kind of material people are looking for out there. It helps me prioritize my work so that I’m offering plays with a better chance of seeing a stage. I’ve written to PSH with questions, and they were more than responsive, obviously passionate about the playwriting community. Yes, I highly recommend subscribing to PSH.”
– Dave Durham, Michigan Playwright
I would rather pay by the year since I do not like automatic monthly payments. Yhanks, Erin