Howdy, Playwrights!   Here’s a list of 35 play submission opps with July+ 2022 deadlines.

NameLengthNature of OpportunityDeadlineLocationAdd’l Info
freeze frame fictionmax 1,000 wordsPublication opp. Drama accepted. Any genre, no content restrictions. Previously unpublished works only.6/30/22n/aPays $10 per accepted piece.
Long Beach PlayhouseFull LengthUn-produced, un-published, non-musical plays only.6/30/22Long Beach, CaliforniaFee: $15, $100 honorarium
Wordsmyth Theater Company40+ minsOne-act or two-act plays. Must not have had a public reading in the Houston area. Also accepts bilingual play – any language.6/30/22Houston, Texasn/a
Jakespeare VTC30-45minsLooking for playwrights that will write a radio play version of Philip K. Dick’s stories. Must choose from one of the approved plays (see website for the list).7/1/22n/aNo financial compensation
New Works, New VoicesFull LengthOpen to any writers and composers who feel their perspectives have been historically underrepresented in the musical theater canon.7/1/22Syracuse, New Yorkn/a
Panndora Productions60+ minsNew works, full length or long one acts, which have not been previously produced.7/1/22Long Beach, CaliforniaFee: 10
Exposition Reviewmax 4 pagesPublication opp. Complete scene. Unpublished works only. Theme: Flux7/5/22CaliforniaFee: $5
“cash prize”
AboutFACE IrelandFull LengthPlaywrights based in Ireland, and Irish playwrights around the world.7/15/22IrelandNo Fee
Elsewhere Studiosn/s1-6 months residency.7/15/22Paonia, ColoradoApp Fee: $30
Moleculemax 50 wordsPublication opp. Plays accepted. Must be previously unpublished.7/15/22n/an/a
New Musicals Inc.Full LengthMusicals only.7/15/22Los Angeles, Californian/a
Hear Me Out Monologues750-1,500 wordsMonologue. Theme: “When We Name It.” The entry must in some way refer to some naming and its impact on the characters you’re revealing.7/22/22onlineNo Fee
Prize: $2,500
LowellArts Theatre10 minsDrama or comedy. Theme: Things That Go Bump in the Night7/22/22Lowell, MichiganFee: $20
Prize: $500
Golden Thread Productions10-30 minsPlays by playwrights of Middle Eastern heritage on any topic OR plays about the Middle East by playwrights of any cultural heritage. Must be in English.7/30/22San Francisco, Californian/a
Quannapowitt Players, Inc10-20 minsPlay submissions should focus on a holiday. All holidays are welcome! Plays featuring children are also welcome. Must be family friendly, no excessive profanity.7/31/22Reading, Massachusetts$100 stipend
Springhouse Journalmax 30 pagesPublication opp. Plays accepted.7/31/22n/an/a
William Faulkner Literary CompetitionOne Act (less than 1 hour)Open to all ages. Original, unpublished, plays. NO excessive violence, sex or religious extremism.7/31/22New Albany, MississippiFee: $20
Prize: $600
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Keegan Theatre10 pagesWorkshop opp. 10 page excerpts from full-length plays aligned with the theatre’s mission and commitment to equity, diversity, and inclusion. NEW works only.8/1/22Washington, DCn/a
The Players Theatremax 15 minsTheme: “Boo!” Horror plays and musicals including a great spoof. Playwrights must produce.8/1/22NYC$50  tech fee
Trans [Plays] of Remembrance Festival10 minsPlays by members of the transgender community. The plays should be able to be performed digitally over Zoom. Theme: Transgender Day of Remembrance8/1/22Athens, Ohio$30 royalty
Young Actor’s Studio50-120 pagesPlays that prominently feature roles for younger people (between the ages of 12-18).8/1/22Virtual$500 honorarium
Harvest InternationalOne Act
(max 8 mins)
Publication opp. Accepting submissions written in English, Spanish, and German.Year Roundn/an/a
MKAFull LengthOpen to new and established playwrights. Int’l submissions ok.Year RoundAustralian/a
Next Act TheatreFull LengthSample pages or full script.Year RoundMilwaukee, Wisconsinn/a
North Carolina Literary ReviewOne ActPublication opp.Year RoundGreenville, North Carolinan/a
Paragon Press10 minsPublication opp. Seeking plays to be included in an anthology. Play that centers characters of color, female characters LGBTQ characters.Year RoundCentral Pennsylvanian/a
Pharmacy TheatreFull LengthAccepts submissions for the Pharmacy Theatre for possible production.Year RoundCentral Pennsylvanian/a
Rhodora MagazineOne ActPublication opp. Submissions should be original. Translations (into English) are also accepted. No genre restrictions.Year RoundIndiaNo Fee
Singapore Repertory TheatreFull LengthPlays and musicals.Year RoundSingaporen/a
The Shallow Tales ReviewOne ActPublication opp. Previously unpublished works only. Int’l submissions ok.Year Roundn/an/a
Theatre Now New YorkSee right.Musicals. Send one page synopsis only.Year RoundNYCn/a
TSL Publicationsn/sPublication opp. The script should specify whether the play is for Amateur Theatre, Fringe or other specific group. Monologue compilations are welcomed.Year RoundUKn/a
Inis Nua Theatre CompanyFull LengthPlaywright based in Ireland, England, Scotland, or Wales or from an American writer whose script deals with the modern Irish-American, Welsh-American, Scottish-American and Anglo-American experience or a play which explores America’s relationship to one of these cultures.Year RoundPhiladelphia, Pennsylvanian/a
Playwrights Offering Free FeedbackFull LengthFull-length trade program. You must read a play and give feedback, and in return will have an opp to send a play and get feedback from other playwright.Year Roundn/an/a
Trade A Play Tuesday10 minsSend in 10-min play and get same-day feedback. You must also read 10 pages of another playwright’s work, and give thoughtful feedback. Runs every Tuesday.Year Roundn/an/a

 

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  • The full, up-to-date listing of 400+ theaters that are looking for new plays
  • Regular emails of new play submission opportunities with year-round and hard deadlines
  • Access to over $10,000 in prize & content money
Here’s what your fellow playwright have to say about PSH:

“PSH was recommended to me by a playwright I looked up to when I was first starting out.   The price was reasonable, and it has been a great tool.  I found a few opportunities that I could take advantage of with the few plays I had written at that time.  Later in the summer I found out I had won a national contest, collecting many hundreds of dollars.  The opportunities are varied and specific, with links provided so time is not wasted frolicking through websites to get to the information you need.  PSH also gives a quick overview of what kind of material people are looking for out there.   It helps me prioritize my work so that I’m offering plays with a better chance of seeing a stage.  I’ve written to PSH with questions, and they were more than responsive, obviously passionate about the playwriting community.  Yes, I highly recommend subscribing to PSH.”

–  Dave Durham, Michigan Playwright

 

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