Howdy, Playwrights! Here’s a list of 35 play submission opps with July+ 2022 deadlines.
|Name||Length||Nature of Opportunity||Deadline||Location||Add’l Info|
|freeze frame fiction||max 1,000 words||Publication opp. Drama accepted. Any genre, no content restrictions. Previously unpublished works only.||6/30/22||n/a||Pays $10 per accepted piece.|
|Long Beach Playhouse||Full Length||Un-produced, un-published, non-musical plays only.||6/30/22||Long Beach, California||Fee: $15, $100 honorarium|
|Wordsmyth Theater Company||40+ mins||One-act or two-act plays. Must not have had a public reading in the Houston area. Also accepts bilingual play – any language.||6/30/22||Houston, Texas||n/a|
|Jakespeare VTC||30-45mins||Looking for playwrights that will write a radio play version of Philip K. Dick’s stories. Must choose from one of the approved plays (see website for the list).||7/1/22||n/a||No financial compensation|
|New Works, New Voices||Full Length||Open to any writers and composers who feel their perspectives have been historically underrepresented in the musical theater canon.||7/1/22||Syracuse, New York||n/a|
|Panndora Productions||60+ mins||New works, full length or long one acts, which have not been previously produced.||7/1/22||Long Beach, California||Fee: 10|
|Exposition Review||max 4 pages||Publication opp. Complete scene. Unpublished works only. Theme: Flux||7/5/22||California||Fee: $5
|AboutFACE Ireland||Full Length||Playwrights based in Ireland, and Irish playwrights around the world.||7/15/22||Ireland||No Fee|
|Elsewhere Studios||n/s||1-6 months residency.||7/15/22||Paonia, Colorado||App Fee: $30|
|Molecule||max 50 words||Publication opp. Plays accepted. Must be previously unpublished.||7/15/22||n/a||n/a|
|New Musicals Inc.||Full Length||Musicals only.||7/15/22||Los Angeles, California||n/a|
|Hear Me Out Monologues||750-1,500 words||Monologue. Theme: “When We Name It.” The entry must in some way refer to some naming and its impact on the characters you’re revealing.||7/22/22||online||No Fee
|LowellArts Theatre||10 mins||Drama or comedy. Theme: Things That Go Bump in the Night||7/22/22||Lowell, Michigan||Fee: $20
|Golden Thread Productions||10-30 mins||Plays by playwrights of Middle Eastern heritage on any topic OR plays about the Middle East by playwrights of any cultural heritage. Must be in English.||7/30/22||San Francisco, California||n/a|
|Quannapowitt Players, Inc||10-20 mins||Play submissions should focus on a holiday. All holidays are welcome! Plays featuring children are also welcome. Must be family friendly, no excessive profanity.||7/31/22||Reading, Massachusetts||$100 stipend|
|Springhouse Journal||max 30 pages||Publication opp. Plays accepted.||7/31/22||n/a||n/a|
|William Faulkner Literary Competition||One Act (less than 1 hour)||Open to all ages. Original, unpublished, plays. NO excessive violence, sex or religious extremism.||7/31/22||New Albany, Mississippi||Fee: $20
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|Keegan Theatre||10 pages||Workshop opp. 10 page excerpts from full-length plays aligned with the theatre’s mission and commitment to equity, diversity, and inclusion. NEW works only.||8/1/22||Washington, DC||n/a|
|The Players Theatre||max 15 mins||Theme: “Boo!” Horror plays and musicals including a great spoof. Playwrights must produce.||8/1/22||NYC||$50 tech fee|
|Trans [Plays] of Remembrance Festival||10 mins||Plays by members of the transgender community. The plays should be able to be performed digitally over Zoom. Theme: Transgender Day of Remembrance||8/1/22||Athens, Ohio||$30 royalty|
|Young Actor’s Studio||50-120 pages||Plays that prominently feature roles for younger people (between the ages of 12-18).||8/1/22||Virtual||$500 honorarium|
|Harvest International||One Act
(max 8 mins)
|Publication opp. Accepting submissions written in English, Spanish, and German.||Year Round||n/a||n/a|
|MKA||Full Length||Open to new and established playwrights. Int’l submissions ok.||Year Round||Australia||n/a|
|Next Act Theatre||Full Length||Sample pages or full script.||Year Round||Milwaukee, Wisconsin||n/a|
|North Carolina Literary Review||One Act||Publication opp.||Year Round||Greenville, North Carolina||n/a|
|Paragon Press||10 mins||Publication opp. Seeking plays to be included in an anthology. Play that centers characters of color, female characters LGBTQ characters.||Year Round||Central Pennsylvania||n/a|
|Pharmacy Theatre||Full Length||Accepts submissions for the Pharmacy Theatre for possible production.||Year Round||Central Pennsylvania||n/a|
|Rhodora Magazine||One Act||Publication opp. Submissions should be original. Translations (into English) are also accepted. No genre restrictions.||Year Round||India||No Fee|
|Singapore Repertory Theatre||Full Length||Plays and musicals.||Year Round||Singapore||n/a|
|The Shallow Tales Review||One Act||Publication opp. Previously unpublished works only. Int’l submissions ok.||Year Round||n/a||n/a|
|Theatre Now New York||See right.||Musicals. Send one page synopsis only.||Year Round||NYC||n/a|
|TSL Publications||n/s||Publication opp. The script should specify whether the play is for Amateur Theatre, Fringe or other specific group. Monologue compilations are welcomed.||Year Round||UK||n/a|
|Inis Nua Theatre Company||Full Length||Playwright based in Ireland, England, Scotland, or Wales or from an American writer whose script deals with the modern Irish-American, Welsh-American, Scottish-American and Anglo-American experience or a play which explores America’s relationship to one of these cultures.||Year Round||Philadelphia, Pennsylvania||n/a|
|Playwrights Offering Free Feedback||Full Length||Full-length trade program. You must read a play and give feedback, and in return will have an opp to send a play and get feedback from other playwright.||Year Round||n/a||n/a|
|Trade A Play Tuesday||10 mins||Send in 10-min play and get same-day feedback. You must also read 10 pages of another playwright’s work, and give thoughtful feedback. Runs every Tuesday.||Year Round||n/a||n/a|
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Here’s what your fellow playwright have to say about PSH:
“PSH was recommended to me by a playwright I looked up to when I was first starting out. The price was reasonable, and it has been a great tool. I found a few opportunities that I could take advantage of with the few plays I had written at that time. Later in the summer I found out I had won a national contest, collecting many hundreds of dollars. The opportunities are varied and specific, with links provided so time is not wasted frolicking through websites to get to the information you need. PSH also gives a quick overview of what kind of material people are looking for out there. It helps me prioritize my work so that I’m offering plays with a better chance of seeing a stage. I’ve written to PSH with questions, and they were more than responsive, obviously passionate about the playwriting community. Yes, I highly recommend subscribing to PSH.”
– Dave Durham, Michigan Playwright