Howdy, Playwrights! Here’s a list of 35 play submission opps with October+ 2022 deadlines.
|Name||Length||Nature of Opportunity||Deadline||Location||Add’l Info|
|Eugene O’Neill Theater Center||50-150 pages||Dev’t opp. All styles & genres of drama, including one-acts & solo pieces. Int’l submissions ok.||9/29/22||Waterford, Connecticut||Fee: $25|
|Athena Project||Full Length||Women playwrights. Previously unproduced plays only.||9/30/22||Denver, Colorado||n/a|
|Bite Sized Spooktacular||max 10 mins||Original plays or other theatrical pieces, either comedic or spooky.||9/30/22||NYC||n/a|
|Phoenix Theatre||Full Length||Dramatic & comedic original & un-produced plays and musicals.||9/30/22||Phoenix, Arizona||Fee: $10|
|Stonecoast Review||max 12 pages||Publication opp. Accepts unpublished dramatic works.||9/30/22||Portland, Maine||n/a|
|The Sauk||max 15 mins||Original works or published works. Comedies & dramas. Plays with roles for teens & young people are encouraged.||9/30/22||Jonesville, Michigan||No Fee|
|Élan||See right.||Publication opp. Plays accepted. *Submit full manuscripts with potential excerpts clearly noted. Pieces over 1,200 words must have a marked excerpt.||No deadline posted.||Jacksonville, Florida||n/a|
|Great Plains Theatre Commons||Full Length, One Act||Plays may not have had a professional production.||No deadline posted.||Omaha, Nebraska||Fee: $10,
|New York Theater Festival||5-90 mins||Plays or musicals. Any genre. Submissions accepted from a 30-mile radius outside of Manhattan and only run if the entire cast and crew are from NYC.||No deadline posted.||NYC||Fee: $75-$250
|Camargo Foundation||max 20 pages (sample)||Fellowships, 6-11 weeks. Int’l submissions ok. Apps from playwrights accepted.||10/1/22||France||stipend of EUR 350 per week|
|Forward Theater Co||2-10 mins||Monologues. Theme: Out in This World||10/1/22||Madison, Wisconsin||$100 royalty|
|Lanford Wilson New American Play Festival||Full Length||New American plays that provide dynamic performance opps for college-aged actors.||10/1/22||Cape Girardeau, Missouri||n/a|
|Lanford Wilson New American Play Festival||10-30 mins||Plays that have a cast of exclusively characters in their teens & twenties.||10/1/22||Cape Girardeau, Missouri||n/a|
|Noosa Arts Theatre||30-45 mins||Any subject matter, theme or style. Not restricted to Australian residents.||10/1/22||Australia||Fee: $A40
|Stage Right Theatrics||max 20 mins||Submissions should adhere to the tenets of the Natural Theatre as defined on https://stagert.org/.||10/1/22||Dublin, Ohio||Fee: $10 (NO FEE FOR PSH MEMBERS)|
|Tennessee Williams & New Orleans Literary Festival||One Act||New work from emerging artists. Int’l submissions ok. Must be original work & not published in any way.||10/1/22||New Orleans, Louisiana||Fee: $25
|Caldera||n/s||2 & 3.5 week residencies. Apps from playwrights accepted. Int’l submissions ok.||10/3/22||Sisters, Oregon||No Fee|
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|American Antiquarian Society||max 25 pages (sample)||Fellowships for creative & performing artists & writers, including 4 weeks residency.||10/5/22||Worcester, Massachusetts||$2,000 stipend|
|Moxie Arts New York||n/s||Dev’t program for new, unproduced plays.||10/7/22||New York||No Fee
|Shakespeare on the Sound||10 mins||Plays inspired by the characters in Shakespeare’s pastoral comedy “As You Like It.” PROMPT: After the Curtain: Where are they now?||10/7/22||Norwalk, Connecticut||n/a|
|Art Omi||n/s||Residency for published writers & translators of every type of literature. All text-based projects — fiction, nonfiction, theater, film, poetry, etc. — are eligible.||10/15/22||Ghent, New York||No Fee|
|Brown Foundation||“sample”||1-2 months residency. Int’l submissions ok. Apps from playwrights accepted.||10/15/22||France||Fee: $25|
|Camino Real Playhouse||10 mins||Plays can be on any subject.||10/15/22||San Juan Capistrano, California||Fee: $10|
|Obsidian||max 20 pages (see right)||Publication opp. One act or a collection of short scenes no longer than 20 pages. Excerpts of longer works ok. Translations ok.||10/15/22||Normal, Illinois||n/a|
|Saranac Review||See right.||Publication opp. Short plays, one acts, riveting scenes, tiny musicals & all drama that makes characters & their actions & dialogue utterly visual & necessary.||10/15/22||Plattsburgh, New York||Fee: $3|
|Seven Devils New Play Foundry||Full Length||Dev’t opp. Any genre or style. Int’l submissions ok.||10/15/22||McCall, Idaho||Fee: $10|
|Weathervane Playhouse||max 10 mins||The play must include an umbrella — a prop that must be incorporated into the play. It must be seen on stage. No characters under the age of 16.||10/15/22||Akron, Ohio||Fee: $10
|The Sauk||Any length||Unproduced plays. Any style: comedy, drama, young audience and/or musical. Play dev’t opp including public staged readings.||10/28/22||Jonesville, Michigan||“royalty”|
|Old Library Theatre||One Act
|Playwrights who have not had plays produced in previous festivals will receive priority in selection.||10/31/22||Fair Lawn, New Jersey||Fee: $5|
|ScreenCraft||max 150 pages||Plays that have great film or TV adaptation potential. Int’l submissions ok. Writers 18+.||10/31/22||Los Angeles, California||Fee: $49.50 Prize: $1,000|
|The Brick||1-20 mins||New works.||10/31/22||Brooklyn, New York||n/a|
|The Stanley Drama Award||See right.||Original full-length play, musical, or one-act play sequence that has not been professionally produced or received trade book publication.||10/31/22||Staten Island, New York||Fee: $30
|Wildacres Residency Program||n/s||1 or 2-week residency. Apps from playwrights accepted.||10/31/22||Little Switzerland, North Carolina||App Fee: $25|
|Playwrights Offering Free Feedback||Full Length||Full-length trade program. You must read a play and give feedback, and in return will have an opp to send a play and get feedback from other playwright.||Year Round||n/a||n/a|
|Trade A Play Tuesday||10 mins||Send in 10-min play and get same-day feedback. You must also read 10 pages of another playwright’s work, and give thoughtful feedback. Runs every Tuesday.||Year Round||n/a||n/a|
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“PSH was recommended to me by a playwright I looked up to when I was first starting out. The price was reasonable, and it has been a great tool. I found a few opportunities that I could take advantage of with the few plays I had written at that time. Later in the summer I found out I had won a national contest, collecting many hundreds of dollars. The opportunities are varied and specific, with links provided so time is not wasted frolicking through websites to get to the information you need. PSH also gives a quick overview of what kind of material people are looking for out there. It helps me prioritize my work so that I’m offering plays with a better chance of seeing a stage. I’ve written to PSH with questions, and they were more than responsive, obviously passionate about the playwriting community. Yes, I highly recommend subscribing to PSH.”
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