Guest post by Ken Davenport One of the most common questions people ask me is “How do I get producers to see my show?” As a Tony award-winning Broadway producer, I have a thought or two on this subject. Getting the right people to attend a reading,...
Guest post by Charles Deemer In the mid-1970’s, armed with an MFA in Playwriting from the University of Oregon, I found myself on the campus of Salisbury State College on Maryland’s Eastern Shore. There a small theater department was headed by LS, who was...
Guest Post by Jason Lasky I’m both for and against the idea of writing about what I know. I’m for it because it’s a safe place to start, and I’m against it because it’s limiting and detrimental to living a more creative life. While I was...
Guest blog post by David Wiener The American new play sector has gone through so many dizzying changes over the past decade, it doesn’t even make sense to talk about a “New Normal” anymore. There is a running current among many playwrights that we are the...
Top 5 Reasons to Turn Your Play into an Audio Play or Radio Play Audio theatre is an awesome option for theatre lovers.í‚ Several well-respected playwrights have written audio plays (also known as radio plays)í¢â‚¬”Samuel Beckett, Carly Churchill, Nilo Cruz, and...
The Play Submissions Helper recently sat down with Greg Kanyicska, a member of the board of directors of the Nylon Fusion Theatre Company. Nylon is based out of NYC, and accepts play submissions for its quarterly 10-Minute playwriting festivals, entitled “This...
Website last updated: March 23, 2020
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